As God has diminished in American and Western culture, the left has replaced God with the religion of leftism. Will Witt breaks down how this has happened, the implications, and where we go from here.
Discussion with Prof. James Allan and Prof. Dr. István Stumpf
This is the sixth lecture of the series. In his sixth and final essay, Patočka asks, what was “that awesome will which for years drove millions of humans into a fiery furnace”? He is referring to the First World War, a “monumental auto-da-fé” which led, nightmarishly, to a Second World War – and ultimately, to what he calls “the definitive collapse of Europe.” His basic conclusion is that Europe has failed to grasp “the will to war,” because it is not a phenomenon of what he calls the “day.” European philosophy must face the reality of the human “night.” It is rational to honour the limits of the rational in human life, and Patočka is unconvinced that postwar Europeans had so honoured them – or could, since they held a progressive philosophy of history that his Heretical Essays seek to correct.
While Covid-19 is often construed as having apocalyptic - in the sense of cataclysmic - consequences for public health, in this talk, Danube Institute Visiting Fellow Dr Calum TM Nicholson suggests it is also an ‘apocalypse’ in the original sense of the word: a revelation of what had previously been concealed. Just as someone’s character is revealed in crisis, so the true character of the West, and particularly its institutions, has been revealed by the Covid-19 crisis. The talk explores what the crisis has revealed about our relationship to science, the State, the economy, the media, the past, the future, each other, and perhaps most importantly, ourselves.
Panel discussion and book signing with the Hungarian Review authors.
This is the fifth lecture of the series. Contemporary humanity is “simply no longer capable of physically surviving but for a mode of production that rests increasingly on technology,” claims Patočka. And yet, he adds in a text of the 1970s, that mode of production “increasingly devastates the planetary store of energy.” In his fifth essay, Patočka reflects on this – and other – dilemmas of what he calls our “technological civilization.” He refuses to call our civilization “decadent,” yet he is critical of modern Europe’s “deification of force,” and its concomitant “cult of the mechanical.” He believes that our ever-deepening reliance on machine systems endangers the earth – and ourselves. For at our core lies a mystery, and the acute danger of modernity is that, in it, “humans, like all else, are stripped of all mystery.”
Movies tell us a lot about the people and the nations that make them. They can tell us who those people are, and who they’d like to become. In this lecture, Rob Long will show us 5 movies from the past — High Noon, The Best Years of Our Lives, Children of Paradise, IP Man, Cinema Paradiso — and discuss what each might tell us about how movies shape and reflect national identity.
This is the fourth lecture of the series. Nineteenth-century philosophers “did not for a moment doubt the spiritual origins of European unity,” writes Patočka, “and their conception is surely correct.” Thus, in his fourth essay, he tries to show that European culture is rooted in Christianity. This was and still is a “heretical” view, yet Patočka firmly holds it. He insists that “care for the soul is what gave rise to Europe.” What Christianity brought to Europe was a centuries-long “deepening” of Platonism’s concern with the human soul. It is only in the sixteenth century that Europeans began, en masse, to reject this Platonic–Christian legacy. The threat of European “nihilism,” faced by writers such as Fyodor Dostoevsky and Friedrich Nietzsche, stems from that rejection.
Is Thatcherism Conservative? Hannes H. Gissurarson a professor of politics will answer this question at his second lecture, based on his recent article on The Guardian’s “Distorted Image of Thatcherism”.